“...of undeniable power”
Audio
Discography
Gilbert Galindo: Terrestrial Journeys
Neuma Records
Released: January 20, 2023
Available from ALL DIGITAL SERVICES and from BANDCAMP
Free pdf booklet
"A pen well delivered by the sword." - George W. Harris, Jazz Weekly
"Gilbert Galindo gifts the listener with tonal, atonal, polytonal, edgy, bouncy, lyrical, joyful, caustic, sweet, defyingly different and, above all, honest music." - Rafael de Acha, All About the Arts
CROSSINGS -
New Music for Cello
New Focus Recordings
Released: February 10, 2015
Available: iTunes, Amazon, Spotify
"Joined for duos by pianist Amir Khosrowpour, [Kate] Dillingham digs in to Gilbert Galindo's Almost Within Reach relishing its passionate long breathed melodies and altissimo register cries." - Christian Carey
"From the first chord in the opener, Almost Within Reach, by Gilbert Galindo, you're hearing exactly the kind of resonant quandary that Dillingham's canny curation offer you." - Porter Anderson, Thought Catalog
Works List
ORCHESTRAL & CONCERT BAND
Awakening-Inevitable for orchestra (2004)
Duration ca. 11'
3.3.3.3-4.3.3.1 timp. 3 perc. hp. cel. str.
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Clarion Horizons for orchestra (2006/2007)
Duration ca. 10'
3.2.3.3-4.3.3.1 timp. 3 perc. hp. str.
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Hymns of the Sky for orchestra (2019-2022)
Duration ca. 11’
2.2.2.2-2.2.2.1 timp. 2 perc. hp. str.
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Prelude to Hymns of the Sky for orchestra (2019)
Duration ca. 6’
2.2.2.2-2.2.2.1 timp. 2 perc. hp. str.
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Sounding Herald, fanfare fantasy for concert band (2016)
Duration ca. 7'
Written for the Odessa High School Broncho Band in honor of the new OHS Performing Arts Center
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Urban Spring for chamber orchestra (2021)
Duration ca. 10'
Commissioned by the Queer Urban Orchestra
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LARGE ENSEMBLE, without voice (6 - 15 players)
Ampelmännchen Stroll for flute, clarinet, trombone, piano, violin, & bass (2015)
Duration ca. 10'
Written for ensemble mise-en
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Entangled Chant for six players (2008)
Duration ca. 9'
Written for Ensemble Dal Niente
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Frozen Fire for bass trombone and strings (2002)
Duration ca. 9'
bass trombone soloist, string ensembles: 1.1.1.1.0-1.0.1.1.1-1.0.1.1.1 (or multiple strings)
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Nuevo Amanecer fanfare for brass and percussion (2021)
Duration ca. 3'
Commissioned by Odessa College for the 75th Anniversary Celebration
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Media Sample
SMALL ENSEMBLE, without voice (2 - 5 players)
A Path Out of Chaos for violin, bassoon, and piano (2010)
Duration ca. 10'
Written for the East Coast Contemporary Ensemble
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Almost within reach... for violoncello and piano (2013)
Duration ca. 8'
Written for Kate Dillingham and Amir Khosrowpour
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Altered Orbit for trombone and percussion (2008)
Duration ca. 7'
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Clean Slate for pierrot quintet (2022)
Duration ca. 7'
Commissioned by and written for Random Access Music
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Currents for piano trio (2021)
Duration ca. 11'
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Divergent Escape for clarinet, saxophone, violin, and 'cello (2009)
Duration ca. 6'
Written for the East Coast Contemporary Ensemble
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Echoes of the Divine for piano quartet (2015)
Duration ca. 12'
Written for the RAM Players
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The Rain Washes It Away, Trio No. 2 for clarinet, violoncello, & piano (2023)
Duration ca. 17'
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They rescued them in their peril for clarinet and piano (2014, rev. 2020)
Duration ca. 15'
Written for Thomas Piercy
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Hold on a minute for two marimbas (2017)
Duration ca. 12'
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Hope for a New Era for brass quintet (2012)
Duration ca. 9'
Written for the Obsidian Brass Quintet
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I break and dissolve any and all curses for harp trio (2014)
Duration ca. 9'
Written for Trio Kavak
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Imagined Passions for piano trio (2011)
Duration ca. 11'
Written for the Southwest Trio
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Let’s Begin for string quartet (2020)
Duration ca. 3’
Commissioned by the Tesla Quartet
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La esperanza de la gente for string quartet (2023)
Duration ca. 5’
Commissioned by Access Contemporary Music
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Let Us Bloom for violin and viola (2020)
Duration ca. 4’
Written for Olivia de Prato and Victor Lowrie Tafoya
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Listen to the Land for string quartet (2023)
Duration ca. 18'
Commissioned by the Gabriela Lena Frank Creative Academy of Music
for the Dalí Quartet through the Composing Earth commissioning program
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Living Oblivion for violin and 'cello (2009)
Duration ca. 7'
Written for Joshua Modney and Isabel Castellvi
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Los Cerros Hablan, lyrical fantasy for bassoon and piano (2022)
Duration ca. 8'
Commissioned by Vincent TyRaudel Martinez and
Wright State University
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Microcosms for clarinet, violin, and piano (2018)
Duration ca. 9'
Written for the RAM Players
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Not the light, but the fire that burns for 2 percussion and piano (2015, rev. 2017)
Duration ca. 12'
Written for Iktus Percussion
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Pause - for a moment for piccolo and piano (2010)
Duration ca. 4'
Written for the Cortona Sessions for New Music
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Perpetual Drive for pierrot ensemble (2013)
Duration ca. 12'
Written for Lost Dog New Music Ensemble
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Praise by Your Being for string quartet (2016, rev. 2020)
Duration ca. 18'
Written for the RAM Players String Quartet
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Resolve for violin and piano (2010)
Duration ca. 10'
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Secret Nights for clarinet, violin, violoncello, and piano (2011)
Duration ca. 9'
Written for the Gotham Ensemble
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Spunk for saxophone, guitar, violin, and bass (2019)
Duration ca. 6'
Written for the RAM Players
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Sonata for viola and piano (2018)
Duration ca. 15’
Written for Liuh-Wen Ting
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The wind blows where it wills for trumpet and piano (2017)
Duration ca. 6'
Written for Random Access Music
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Three Episodes for clarinet, violoncello, and piano (2006)
Duration ca. 9'
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Tierra Magnifica for viol consort (2013)
Duration ca. 7'
Written for Parthenia
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Voices of the Unseen for woodwind quintet (2020)
Duration ca. 14’
Commissioned by the Quintet of the Americas
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Where are You, Spirit Most High? for alto flute, clarinet, percussion, harp, & piano (2022)
Duration ca. 8'
Commissioned by Random Access Music
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Wondrous Freedom for saxophone quartet (2012)
Duration ca. 4'
Written for the New Thread Quartet
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VOCAL
A Nice Winter Morning for tenor voice and piano (2002)
Duration ca. 8'
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At the Site of Jonah's Burial for bass voice and piano (2018)
Duration ca. 7’
Text by Loren Moreno
Written for the RAM Players
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Autor de Canto W, motet for four voices (2017)
Text by Waleska Cabrera
Duration ca. 5'
SATB (1 per voice or full choir)
Written for the RAM Players
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Don't Feel Bad for Me for baritone, guitar, violin, and clarinet (2016)
Text by Bettina "Gold" Wilkerson
Duration ca. 10'
Written for the RAM Players
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Two Nahua Songs for soprano and piano (2005)
Duration ca. 4'
¡Víctor, Catarina! for mezzo-soprano, flute, and strings (2019)
Text by Sor Juana Inés de la Cruz
Duration ca. 8'
Written for the RAM Players
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Xochitl Cuicatl: Aztec Flower Songs for tenor and piano (2007)
Duration 12'
Commissioned by Duo Petrarca
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SOLO
Canticum Antiquum for solo violoncello and electronic processed sound (2011)
Duration ca. 9'
Written for cellist Seth Woods
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Darkness is not dark for You for piano (2020)
Duration ca. 10’
Commissioned the Gabriela Lena Frank Creative Academy of Music for Stanton Nelson
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Etudes for piano solo (2019)
Duration ca. 12’
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Lost in the Caves for amplified solo bass clarinet (2008)
Duration ca. 9'
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My Soul Waits for piano solo (2016)
Duration ca. 7'
Written for Random Access Music
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Nightly Wanderings, miniatures for piano solo (2003)
Duration ca. 10'
Written for pianist Wei-Han Wu
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Though your footsteps were unseen for violin solo (2020)
Duration ca. 3'
Written for Hannah Christiansen through the #GLFCAMGigThruCOVID Initiative
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DRAMATIC
Claudia - a micro opera for soprano and electronics (2020)
Duration ca. 1'
Written for Rhymes With Opera
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In case the cue does not work, “Claudia” begins at 25:20
FILM MUSIC
Barbarossa and the Towers of Italy (2008)
Tony Schweikle, Director & Writer
Music by Gilbert Galindo (Samples from Awakening - Inevitable for orchestra in addition to music produced specifically for the film)
The Stain for pierrot ensemble - Music for the short film, “The Stain” by Brian Petchers (2021)
Duration ca. 6'
Commissioned by Access Contemporary Music
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Gallery
